Amogh Bhatnagar.


Graphic Designer, among other things.
 


PROJECTS


Chalk & Cheese Films / Website Design / 2026

Chalk & Cheese Films / Visual Identity / 2025


14 Norient Festival / Key Visual / 2025


Coming From Mud / Visual Identity / 2025


Journeying Across the Himalayas / Visual Identity / 2025


Collage as Language, Language as Collage / Artist Book / 2024 / Halden Bookworks

Art India Magazine 30th Anniversary / Identity / Editorial Design / 2026
Art India Magazine 28_01 / Editorial Design / 2025

Art India Care Fund / Identity / Merchandise / 2025


Art India Magazine 27_03 / Editorial Design / 2024


Art India Magazine 27_02 / Editorial Design / 2024


Art India Magazine 27_01 / Editorial Design / 2024


Art India Magazine 26_04 / Editorial Design / 2024


From Where I Stand / Exhibition Identity / Publication / Website / 2023


Bezoar Delinqxenz / Book Design & Typesetting / 2022


Unreleased ‘Nike by You’ Campaign / Illustrations / 2022 / Art&Found


Kochi Muziris Biennale 2022 / Website Design / 2022

Lines of Sight / Publication & Exhibition / 2021


Why Not? / Visual Identity & Packaging / 2021


Editorial Illustrations / Various


Campaigns: Squadron 14 x Raw Mango / 2021–26


CURATORIAL


Common Nouns / 2024 / Squadron 14 


From Where I Stand / 2023 / Future Flow 


Lines of Sight / 2021 / National Institute of Design 


COLLAGE


Archive: 2025
2025: Collage tool


Archive: 2024


Archive: 2023


Archive: 2022



WRITING


The Arches of Lodhi Colony / Paper Planes 


Design as Authorship / Master Thesis / Available on Request
Design as Authorship v0 / Essay 


Indian Graphic Design / Essay 


Graphic Design Systems / Essay 





A.B. 2026


Collage as Language, Language As Collage
Artist Book

2024, Residency Project: Halden Bookworks






In August 2024 I was invited for a two-week artist residency at Norwegian book arts studio Halden Bookworks (HB), supported by art and design publication Irregular Times. With HB’s resources and support in printmaking and bookbinding as creative mediums, I worked on exploring collage as a language, by investigating language itself as a collage, looking into aspects like the origins of letterforms and scripts to the formation of individual and shared languages, all the way to instances of detournement in memes and internet culture. This research took the form of an artist book in a limited edition of (2+1 AP), and a series of posters with a simple, three-word manifesto accompanying it.  

As a part of the residency I also presented an an artist talk at Textallmeningen, the Bergen-based archive of art magazines and artist books, and a participatory workshop at Pamflett, a riso print studio. The workshop took a template-based approach, with a series of open-ended “generative” prompts for the participants to create works of art with the same basic prompts but completely different outcomes.